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A character on stage who can present no convincing argument or information as to his past experienc
A character on stage who can present no convincing argument or information as to his past experienc
A character on stage who can present no convincing argument or information as to his past experienc
A character on stage who can present no convincing argument or information as to his past experienc
A character on stage who can present no convincing argument or information as to his past experienc
A character on stage who can present no convincing argument or information as to his past experienc
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Harold Pinter:
I'm well aware that I have been described in some quarters as being 'enigmatic, taciturn, prickly,Harold Pinter:
Quite simply, my writing life has been one of relish, challenge, excitement.Harold Pinter:
As far as I'm concerned, 'The Caretaker' is funny up to a point. Beyond that, it ceases to be funnyHarold Pinter:
The Companion of Honour I regarded as an award from the country for 50 years of work - which I thouHarold Pinter:
The Room I wrote in 1957, and I was really gratified to find that it stood up. I didn't have to chaHarold Pinter:
There are no hard distinctions between what is real and what is unreal, nor between what is true anHarold Pinter:
There are some good rules and there are some lousy rules.Harold Pinter:
There is a movement to get an international criminal court in the world, voted for by hundreds of sHarold Pinter:
There's a tradition in British intellectual life of mocking any non-political force that gets involHarold Pinter:
This particular nurse said, Cancer cells are those which have forgotten how to die. I was so struck