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A film goes through so many hands, that by the time it's done, it might not resemble what you thoug
A film goes through so many hands, that by the time it's done, it might not resemble what you thoug
A film goes through so many hands, that by the time it's done, it might not resemble what you thoug
A film goes through so many hands, that by the time it's done, it might not resemble what you thoug
A film goes through so many hands, that by the time it's done, it might not resemble what you thoug
A film goes through so many hands, that by the time it's done, it might not resemble what you thoug
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Ryan Phillippe:
To be more involved and more aware is appealing to me.Ryan Phillippe:
There are a lot of good stories out there, but I haven't found too many great scripts.Ryan Phillippe:
A lot of producers cookie cut movies one after another, but I'll be a little more careful, and haveRyan Phillippe:
But in a broader sense, when I have more control, I want to expose people to new ideas.Ryan Phillippe:
I know that when I grew up I was pretty sheltered, and didn't come to understand much about the worRyan Phillippe:
I want to make movies that people talk about when they leave the theater, that aren't clear-cut, buRyan Phillippe:
Look at music: I've always loved hiphop and rap, and now there's this whole progressive movement, wRyan Phillippe:
To me, White Boy Shuffle is sort of like Catcher in the Rye, the story is so universal.Ryan Phillippe:
The point is to expand the scope of what a movie can possibly mean or be, to get people involved beRyan Phillippe:
You know, social issue movies don't make a lot of money.