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A lot of times, we look at jazz in eras. How can we not keep those eras separate and think of the l
A lot of times, we look at jazz in eras. How can we not keep those eras separate and think of the l
A lot of times, we look at jazz in eras. How can we not keep those eras separate and think of the l
A lot of times, we look at jazz in eras. How can we not keep those eras separate and think of the l
A lot of times, we look at jazz in eras. How can we not keep those eras separate and think of the l
A lot of times, we look at jazz in eras. How can we not keep those eras separate and think of the l
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Aaron Diehl:
It's much like playing jazz, flying. It's multitasking in real time. You have a number of instrumenAaron Diehl:
My grandfather, Arthur Baskerville, he played and still plays a little bit piano and trombone, andAaron Diehl:
My father, I think he played percussion in high school. My mother played piano when she was very yoAaron Diehl:
I had experiences or exposure to music in church. I went to a church, it was very unique. It was aAaron Diehl:
I consider myself very fortunate. I mean, I think there's that old saying, 'Where there's a will, tAaron Diehl:
I'm not saying that in order to be a great jazz musician you have to be a great classical pianist fAaron Diehl:
The older I get, the more I realize the importance of maintaining an even temperament - not gettingAaron Diehl:
There's a huge part of me that's thinking about perfection. I have to fight that urge, to try to liAaron Diehl:
When I see young people interested in music. I always look out for that passion in their eyes. YouAaron Diehl:
I really want to bring ensemble playing back to the forefront - not just for me, but for everyone i