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A work of art when placed in a gallery loses its charge, and becomes a portable object or surface d
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface d
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface d
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface d
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface d
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface d
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Robert Smithson:
Language should find itself in the physical world, and not end up locked in an idea in somebody's hRobert Smithson:
Language should be an ever developing procedure and not an isolated occurrence.Robert Smithson:
Art's development should be dialectical and not metaphysical.Robert Smithson:
I am for an art that takes into account the direct effect of the elements as they exist from day toRobert Smithson:
Objects in a park suggest static repose rather than any ongoing dialectic. Parks are finished landsRobert Smithson:
Parks are idealizations of nature, but nature in fact is not a condition of the ideal.Robert Smithson:
Nature does not proceed in a straight line, it is rather a sprawling development.Robert Smithson:
Nature is never finished.Robert Smithson:
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbedRobert Smithson:
The scenic ideals that surround even our national parks are carriers of a nostalgia for heavenly bl