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And I think it's because good cons are all based on the victim's need, and the successful con artis
And I think it's because good cons are all based on the victim's need, and the successful con artis
And I think it's because good cons are all based on the victim's need, and the successful con artis
And I think it's because good cons are all based on the victim's need, and the successful con artis
And I think it's because good cons are all based on the victim's need, and the successful con artis
And I think it's because good cons are all based on the victim's need, and the successful con artis
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Alfred Molina:
Character actors aren't a brand in the same way that high-profile leading men are.Alfred Molina:
I think it would be a problem if Hollywood was casting British actors only as villains; if that werAlfred Molina:
When I look back on my career - if that's what it is - it looks a bit like a crazy quilt, and I thiAlfred Molina:
I love the theatre. It's a perfect life for an actor: you can do a couple of movies and then go andAlfred Molina:
Screen work always boils down to that moment between the camera and the actor or the actors. It alwAlfred Molina:
I love working fast. I don't relish the director who wants to do 25 to 30 takes, or the actors whoAlfred Molina:
I've worked with actors who treat the first two takes like rehearsals. And that's okay. If the cameAlfred Molina:
Even at drama school if there was a part of some eastern European thug it would be me.Alfred Molina:
When I was younger I was always big; I was a fat boy at school. I had an early growth spurt, and whAlfred Molina:
The big stars I felt a kinship with were never the romantic leads. It wasn't Steve McQueen or Rober