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And you can tell the writers who do it - Robert Stone, for example, who with each new novel is doin
And you can tell the writers who do it - Robert Stone, for example, who with each new novel is doin
And you can tell the writers who do it - Robert Stone, for example, who with each new novel is doin
And you can tell the writers who do it - Robert Stone, for example, who with each new novel is doin
And you can tell the writers who do it - Robert Stone, for example, who with each new novel is doin
And you can tell the writers who do it - Robert Stone, for example, who with each new novel is doin
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Tobias Wolff:
Work for most people is really very social, and the actual thinking is often done in community.Tobias Wolff:
Of course it's why you want to become a writer - because you have the liberty to do that, but onceTobias Wolff:
It's probably why I'm a short story writer. I tend to remember things in the past in narrative formTobias Wolff:
Most of us don't live lives that lend themselves to novelistic expression, because our lives are soTobias Wolff:
Perhaps that is why the novel flourished in England. You had these communities that would stay putTobias Wolff:
The short story, on the other hand, is the perfect American form.Tobias Wolff:
But as my brother was doing his research for a book about my father, it became his opinion that theTobias Wolff:
Memory is funny. Once you hit a vein the problem is not how to remember but how to control the flowMario Gabelli:
How can you allow the trading companies to locate computers closer to exchanges and flash millionsMario Gabelli:
Always keep your portfolio and your risk at your own individual comfortable sleeping point.