Anything I do has to have integrity, so if you just want to make music, it's not difficult finding support. The hard part for a publicist or manager is making a star.

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• Esperanza Spalding:

  There is an assumption that if you're young and pretty, you will get all these opportunities that a

• Esperanza Spalding:

  I always say that the problem with jazz accessibility is not the content of the music, it's people'

• Esperanza Spalding:

  I just think music is so intrinsically linked with images in the culture that we live in that you'l

• Esperanza Spalding:

  It's a pity that if someone who has a really profoundly potent art to share chooses not to or doesn

• Esperanza Spalding:

  I like to read, and I like dance. I don't dance, but I like to see other people dance.

• Esperanza Spalding:

  I love people, and I love to be with people and to make music with people, but my natural state is

• Esperanza Spalding:

  The benefit of the radio is, something beyond your realm of knowledge can surprise you, can enter y

• Esperanza Spalding:

  If you don't already know about jazz music, how would you be exposed? How would get an opportunity

• Esperanza Spalding:

  I never think my music isn't easy until I got to teach it to other people.

• Esperanza Spalding:

  I write at the piano, so I write things that fit comfortably under my hands, and I'm not thinking i