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As fantastic as it is to have 'Vogue' and 'Vanity Fair' as places to work, I don't often get to sho
As fantastic as it is to have 'Vogue' and 'Vanity Fair' as places to work, I don't often get to sho
As fantastic as it is to have 'Vogue' and 'Vanity Fair' as places to work, I don't often get to sho
As fantastic as it is to have 'Vogue' and 'Vanity Fair' as places to work, I don't often get to sho
As fantastic as it is to have 'Vogue' and 'Vanity Fair' as places to work, I don't often get to sho
As fantastic as it is to have 'Vogue' and 'Vanity Fair' as places to work, I don't often get to sho
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Annie Leibovitz:
I feel more like a creative artist using photography because there's - the digital work is so interAnnie Leibovitz:
One of the great things about being an older person is that I am very aware of the scope of the worAnnie Leibovitz:
What I end up shooting is the situation. I shoot the composition and my subject is going to help thAnnie Leibovitz:
I shoot a little bit, maybe two rolls, medium format, which is 20 pictures, and if it's not workingAnnie Leibovitz:
I still need the camera because it is the only reason anyone is talking to me.Annie Leibovitz:
Everyone keeps asking you for pictures, and after a while you get tired of that. I always say, TheyAnnie Leibovitz:
What I am interested in now is the landscape. Pictures without people. I wouldn't be surprised if eAnnie Leibovitz:
When I started working for Rolling Stone, I became very interested in journalism and thought maybeAnnie Leibovitz:
In a portrait, you have room to have a point of view. The image may not be literally what's going oAnnie Leibovitz:
I didn't want to let women down. One of the stereotypes I see breaking is the idea of aging and old