As New York careens toward the modernity of the twentieth century when Gibson girls were transforming themselves into working women, Clara Driscoll enters the male field of stained glass artistry and builds a lively, multi-national, multi-class women's department within Tiffany Studios.

Susan Vreeland
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As New York careens toward the modernity of the twentieth century when Gibson girls were transformi
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As New York careens toward the modernity of the twentieth century when Gibson girls were transformi
As New York careens toward the modernity of the twentieth century when Gibson girls were transformi
As New York careens toward the modernity of the twentieth century when Gibson girls were transformi
As New York careens toward the modernity of the twentieth century when Gibson girls were transformi
As New York careens toward the modernity of the twentieth century when Gibson girls were transformi
As New York careens toward the modernity of the twentieth century when Gibson girls were transformi
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