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• Caroline Shaw:

  I've done a lot of performance practice, Baroque playing, and some of the joy and the challenge of

• Caroline Shaw:

  'Partita' is a simple piece. Born of a love of surface and structure, of the human voice, of dancin

• Caroline Shaw:

  There's a bit of a new guard of contemporary classical musicians in New York, and we play a lot of

• Caroline Shaw:

  I've spent a lot of time playing Bach partitas. One of my first jobs was to play for ballet and mod

• Caroline Shaw:

  I was curious about experimenting with different colors - kind of like having an expanded orchestra

• Caroline Shaw:

  I grew up listening to - it's kind of embarrassing - all classical music.

• Caroline Shaw:

  It was sort of an experiment to try to leave the violin. Can I be a real person without this thing?

• Caroline Shaw:

  I've been gearing up for this future of writing a lot of new music by digging into my favorite old

• Carrie Nugent:

  An asteroid impact is a preventable natural disaster. It's in part preventable because we have the

• Carrie Nugent:

  There are physical bodies, physical worlds that astronauts could visit, that we haven't found yet.