Because of all the concurrent stories going in 24 and its fast pace, it can be complicated in terms of the story, so I thought sound could help with the storytelling.

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• Stephen Hopkins:

  Each environment has its own signature. Sound tells a story: You make choices about what you're hea

• Stephen Hopkins:

  I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 15

• Stephen Hopkins:

  I had no special effects, no monsters running around, nothing blew up; those things are all things

• Stephen Hopkins:

  Knowing that Gene and Morgan were playing those roles made it much easier to put the script togethe

• Stephen Hopkins:

  I directed 24's pilot. I felt we should follow the characters around as if we were a documentary cr

• Stephen Hopkins:

  It's been exciting to be able to go forward with stuff without 10,000 people saying, It should be l

• Stephen Hopkins:

  There were no previews; we made the film we wanted to make.

• Shelly-Ann Fraser-Pryce:

  For training, you know what works and what doesn't work. And you know where you fall short and you

• Shaggy:

  The pop market is a very fickle market, and that's why for me to go into the teeny-pop, 'TRL' mode,

• Shelly-Ann Fraser-Pryce:

  The only thing I advocate for is for equality for female athletes because we train just as hard, an