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'Black Hawk Down' wants to be about something, and in the midst of the meticulously staged gunfire,
'Black Hawk Down' wants to be about something, and in the midst of the meticulously staged gunfire,
'Black Hawk Down' wants to be about something, and in the midst of the meticulously staged gunfire,
'Black Hawk Down' wants to be about something, and in the midst of the meticulously staged gunfire,
'Black Hawk Down' wants to be about something, and in the midst of the meticulously staged gunfire,
'Black Hawk Down' wants to be about something, and in the midst of the meticulously staged gunfire,
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Nick Park:
When we first sold the Wallace and Gromit shorts to America, people suggested we get rid of the strNick Park:
If you respect the audience enough, they can take onboard many things.Nick Park:
Gromit was the name of a cat. When I started modeling the cat I just didn't feel it was quite rightNick Park:
Americans like the British kind of quirkiness and the strange accent. They find it kind of cute orNick Park:
I'm always there at home thinking of Wallace and Gromit ideas.Nick Park:
There is something about the Australian psyche that seems to like films that are slightly offbeat.Nick Park:
We can do things that we never could before. Stop-motion lets you build tiny little worlds, and comNick Park:
We have to look forward and keep filming new films and not get stuck in the past.Nick Park:
But I think people see 'Wallace and Gromit' as something akin to an elderly couple. These two knowNick Park:
I always considered Ray Harryhausen's work so fine that it was way out of my league: in terms of re