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But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in pub
But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in pub
But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in pub
But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in pub
But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in pub
But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in pub
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Ian Hamilton Finlay:
I am not a modern man, I am just a wee old fashioned one.Ian Hamilton Finlay:
No, I don't make my work in order to challenge or confuse other people's expectations - I only do wIan Hamilton Finlay:
People have always found me challenging - I don't know why, when I am only being myself. I don't unIan Hamilton Finlay:
I came to these mediums through having the garden, and of course, people who have designed gardensIan Hamilton Finlay:
My position is that since the non-secular status of my garden is not recognised by the law; by theIan Hamilton Finlay:
The same sort of thing happened in my dispute with the National Trust book: Follies: A National TruIan Hamilton Finlay:
Little Sparta is a garden in the traditional sense. It is perhaps not like other modern gardens, buIan Hamilton Finlay:
I have often said that just as the French revolution, for instance, understood itself through antiqIan Hamilton Finlay:
I am always a beginner. I only try to include different parts of life; the pastoral, the tragic, etIan Hamilton Finlay:
If the work is pure then you have to think it could be understood. If it is not understood it doesn