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Dealing with actors is incredibly complex because they oftentimes are like pieces of clay. They wan
Dealing with actors is incredibly complex because they oftentimes are like pieces of clay. They wan
Dealing with actors is incredibly complex because they oftentimes are like pieces of clay. They wan
Dealing with actors is incredibly complex because they oftentimes are like pieces of clay. They wan
Dealing with actors is incredibly complex because they oftentimes are like pieces of clay. They wan
Dealing with actors is incredibly complex because they oftentimes are like pieces of clay. They wan
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Rashid Johnson:
I was going through a divorce, and I had a lot of reading I was doing, and I developed what was proRashid Johnson:
I started rereading 'The Dutchman' - I kind of just pulled it off the shelf.Rashid Johnson:
What I really hoped to do with my work was to at least be able to define my relationship to race.Rashid Johnson:
I wanted my art to deal with very formal concerns and to deal with very material concerns, and to dRashid Johnson:
My father ran a CB radio business. I grew up in a cluttered space that was filled with radios and aRashid Johnson:
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As an artist, I've always felt most comfortable outside of the art supply store. So domestic materiRashid Johnson:
When I was younger, I remember there was a really famous book, and it was called 'The People Could