Europe has been a place of refuge. Why should it stop with black and brown bodies?

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• Kehinde Wiley:

  Fashion is fragile and fleeting. But it is also an indicator for the cultural and social appetites

• Kehinde Wiley:

  What's interesting about the 21st century is how people deal with cultural history. We don't necess

• Kehinde Wiley:

  As a working artist, I became increasingly aware of the patterns we see in the street and in Americ

• Kehinde Wiley:

  In America , there's a just-add-water reality TV world in which people expect to get their Warholia

• Kehinde Wiley:

  In the end, what I'm trying to say as a person who does all this travel and fashions these images i

• Kehinde Wiley:

  It's sad, the enslavement of the black underclass to designer labels - we're an age that cares more

• Kehinde Wiley:

  My paintings are very much about the consumption and production of blackness. And how blackness is

• Kehinde Wiley:

  When I thought about the absolute favourite of favourites or what stood for the best of haute coutu

• Kehinde Wiley:

  Questlove is an artist who I respect because he constantly shifts within the idiom, challenging per

• Kehinde Wiley:

  So much of the history of painting is the propaganda of self-aggrandizement.