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Every time you have to come up with a new body of work for a new show, you're aware that people are
Every time you have to come up with a new body of work for a new show, you're aware that people are
Every time you have to come up with a new body of work for a new show, you're aware that people are
Every time you have to come up with a new body of work for a new show, you're aware that people are
Every time you have to come up with a new body of work for a new show, you're aware that people are
Every time you have to come up with a new body of work for a new show, you're aware that people are
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Cindy Sherman:
I don't analyze what I'm doing. I've read convincing interpretations of my work, and sometimes I'veCindy Sherman:
I'm really just using the mirror to summon something I don't even know until I see it.Cindy Sherman:
I think people are more apt to believe photographs, especially if it's something fantastic. They'reCindy Sherman:
I had to redo my last house after the pipes burst, and something was lost in the renovation. The soCindy Sherman:
It is not like adding wrinkles to look older; it is using the wrinkles I already have to say somethCindy Sherman:
I want there to be hints of narrative everywhere in the image so that people can make up their ownCindy Sherman:
Quite often, I will do something and think, 'Oh, no, she looks a little too much like me.' I have tCindy Sherman:
I have had a lifelong fascination with horror movies, scary movies, how they work.Cindy Sherman:
I realised that in my last two bodies of work - the mural and the Chanel pieces - that I didn't useCindy Sherman:
The more horrific works came out of a feeling that everyone accepted my stuff too easily. I was del