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Everyone has seen photographs of Mexicans wearing those big sombreros. When you come to Mexico, the
Everyone has seen photographs of Mexicans wearing those big sombreros. When you come to Mexico, the
Everyone has seen photographs of Mexicans wearing those big sombreros. When you come to Mexico, the
Everyone has seen photographs of Mexicans wearing those big sombreros. When you come to Mexico, the
Everyone has seen photographs of Mexicans wearing those big sombreros. When you come to Mexico, the
Everyone has seen photographs of Mexicans wearing those big sombreros. When you come to Mexico, the
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Bruce Beresford:
Film is shot in fragments, and the same moments can be shot again and again until the director is sBruce Beresford:
For a director, the most challenging scenes are the dialogue scenes.Bruce Beresford:
I didn't get upset because I wasn't nominated, but I was a little surprised.Bruce Beresford:
I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rBruce Beresford:
I'd really been interested in opera when I was about 16, and I really like staging them.Bruce Beresford:
In Australia, they set up a special fund to kick films off. It was quite an enlightened sort of movBruce Beresford:
In my view, the operas of Carlisle Floyd will find a place in the permanent repertoire.Bruce Beresford:
In opera, everyone's watching from a fixed viewpoint, and that really challenges you. Lighting, theBruce Beresford:
In silent movies, they tended to put the camera down, and everybody walked in front of it and actedBruce Beresford:
It is essential to do everything possible to attract young people to opera so they can see that it