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Everything I do, I build a kind of confidence net - 'I'm able to execute this; it's fine.'
Everything I do, I build a kind of confidence net - 'I'm able to execute this; it's fine.'
Everything I do, I build a kind of confidence net - 'I'm able to execute this; it's fine.'
Everything I do, I build a kind of confidence net - 'I'm able to execute this; it's fine.'
Everything I do, I build a kind of confidence net - 'I'm able to execute this; it's fine.'
Everything I do, I build a kind of confidence net - 'I'm able to execute this; it's fine.'
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Dev Hynes:
I was 13 years old at music school talking to my teacher. I can't quite remember what it was I wasDev Hynes:
The way it works for me is my sight and sound senses are combined. Every sound I associate with a cDev Hynes:
When I was asked to compose a score for... 'Palo Alto,' I first thought to myself, 'What is the houDev Hynes:
The issue I had with the Lightspeed albums was that usually the main purpose with them was to fulfiDev Hynes:
If I like something, I then have to study every single aspect of it to find out if there's more thiDev Hynes:
A lot of my friends were gay, so I was spat on on the bus daily, and I ended up in hospital a couplDev Hynes:
When I was recording music, I'd record all the parts myself, and I wouldn't let other people in; thDev Hynes:
It's funny because I think, as a general rule, that people seem to think that if you do lots of difDev Hynes:
I see no kind of reason to not just try everything. I mean, I feel like we all have such varied tasDev Hynes:
Yeah, I associate every sound with a color and vice versa.