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'Fall on Your Knees' is really a story about secrets and family, and the idea that there are some s
'Fall on Your Knees' is really a story about secrets and family, and the idea that there are some s
'Fall on Your Knees' is really a story about secrets and family, and the idea that there are some s
'Fall on Your Knees' is really a story about secrets and family, and the idea that there are some s
'Fall on Your Knees' is really a story about secrets and family, and the idea that there are some s
'Fall on Your Knees' is really a story about secrets and family, and the idea that there are some s
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Ann-Marie MacDonald:
In terms of the secrets that imbue and underlie 'Fall on Your Knees', they were as much of a mysterAnn-Marie MacDonald:
I grew up in a family where the love of stories is very strong. And there's also a love of performaAnn-Marie MacDonald:
Reading was such a formative part of my childhood (along with 'Loony Tunes'), that it is difficultAnn-Marie MacDonald:
I started my career as an actor, then morphed into a playwright who accidentally became a novelistAnn-Marie MacDonald:
I grew up moving around because my dad was in the Air Force - I think this has carried over into myAnn-Marie MacDonald:
You can tell a lot about a person by the people who work for them.David Remnick:
98% of the people who get the magazine say they read the cartoons first - and the other 2% are lyinDavid Remnick:
If the story is good enough, if it's imaginative enough, if it's moving enough it is going to reachDavid Remnick:
The world is a crazy, beautiful, ugly complicated place, and it keeps moving on from crisis to straDavid Remnick:
Most magazines have peak moments. They live on, they do just okay, or they die. 'The New Yorker' ha