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For me, the reason why people go to a mountaintop or go to the edge of the ocean is to look at some
For me, the reason why people go to a mountaintop or go to the edge of the ocean is to look at some
For me, the reason why people go to a mountaintop or go to the edge of the ocean is to look at some
For me, the reason why people go to a mountaintop or go to the edge of the ocean is to look at some
For me, the reason why people go to a mountaintop or go to the edge of the ocean is to look at some
For me, the reason why people go to a mountaintop or go to the edge of the ocean is to look at some
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Diane Paulus:
I don't want to be in an art bubble.Diane Paulus:
In Elizabethan England or classical Athens... theater was at the center of, not culture, but societDiane Paulus:
You have to think about why you're asking an audience to come to the theater. It's not that they shDiane Paulus:
Music is rhythm, and all theater is rhythm. It's about tempo and change and pulse, whether you're dDiane Paulus:
I grew up with a beautiful gold harp sitting in our living room. My older sister played it.Diane Paulus:
Theatre and opera were always the twin kingdoms that I felt I had to conquer, because they were myDiane Paulus:
Look at where I lived! Four blocks from Lincoln Center. I used to play in the fountain. And then IDiane Paulus:
Opera is the ultimate art form. It has singing and music and drama and dance and emotion and story.Diane Paulus:
I think actually what keeps the intensity manageable - it's a little counterintuitive - is that it'Diane Paulus:
I've gotten to the point that I don't even know what tomorrow brings. When I'm teaching, obviously