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From that time through the time I was a New Dramatist, when I was something like twenty-two, I saw
From that time through the time I was a New Dramatist, when I was something like twenty-two, I saw
From that time through the time I was a New Dramatist, when I was something like twenty-two, I saw
From that time through the time I was a New Dramatist, when I was something like twenty-two, I saw
From that time through the time I was a New Dramatist, when I was something like twenty-two, I saw
From that time through the time I was a New Dramatist, when I was something like twenty-two, I saw
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Richard Foreman:
Because even at the age of fifteen, I used to go see all the Broadway shows and feel that they wereRichard Foreman:
I acted in junior high in the junior high school group, and then when I got into senior high I was,Richard Foreman:
So I decided to start writing plays, and went to Yale.Richard Foreman:
You know, actually, I went to Yale because I wanted to stay out of the army.Richard Foreman:
I realized that I had to be honest about where I was, where I was coming from, and what I was tryinRichard Foreman:
What really happened was one day I decided to write a new kind of play.Richard Foreman:
All the dialogue on tape, and we'd play the tape in performance. Then I thought it'd be interestingRichard Foreman:
As I told you, from the time I was fifteen, I thought the theater was too much involved with actorsRichard Foreman:
Which implies that the real issue in art is the audience's response. Now I claim that when I make tRichard Foreman:
There is no work of art that has ever been made that is absolutely truthful about life.