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Games already pretty much have reached the point of photo-realism. Working on more intense graphics
Games already pretty much have reached the point of photo-realism. Working on more intense graphics
Games already pretty much have reached the point of photo-realism. Working on more intense graphics
Games already pretty much have reached the point of photo-realism. Working on more intense graphics
Games already pretty much have reached the point of photo-realism. Working on more intense graphics
Games already pretty much have reached the point of photo-realism. Working on more intense graphics
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Satoru Iwata:
Third-party publishers, like everyone, face increasing risks associated with creating games, and yoSatoru Iwata:
It's important not only to have the right timing of when the hardware is going to be released but aSatoru Iwata:
I do not like to use the term 'Free-to-play.' I have come to realize that there is a degree of insiSatoru Iwata:
The thing that concerns me most is that, in the digital age, if we fail to make efforts to maintainSatoru Iwata:
Nintendo is a company of Kyoto craftsmen, and what we don't want to do is, if we know we can make sSatoru Iwata:
When we considered what to do with the graphics capability of the Wii, we put more attention and foSatoru Iwata:
Of course, no single entertainment device can enjoy eternal popularity.Satoru Iwata:
As soon as we showcased the Wii in 2006, people immediately understood. At that E3 show, I was up oSatoru Iwata:
In Europe, we packed in Wii Sports with the console, so one way or another, people processed the WiSatoru Iwata:
It was very fortunate for Wii that a lot of households around the world decided to connect the Wii