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Given a little time for the pain to subside, dreadful experiences often can be the basis of funny j
Given a little time for the pain to subside, dreadful experiences often can be the basis of funny j
Given a little time for the pain to subside, dreadful experiences often can be the basis of funny j
Given a little time for the pain to subside, dreadful experiences often can be the basis of funny j
Given a little time for the pain to subside, dreadful experiences often can be the basis of funny j
Given a little time for the pain to subside, dreadful experiences often can be the basis of funny j
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Richard Widmark:
A lot of actors said they hated the studio system, but I loved it. It was like a college; it was aRichard Widmark:
Anne Baxter was a very good actress, Donna Reid was great. You couldn't name an actress I wasn't crRichard Widmark:
Cheyenne Autumn was received not too successfully. I still think it was a very good movie. It was kRichard Widmark:
Ford used to come to work in a big car with two Admiral's flags, on each side of the car. His assisRichard Widmark:
Gary Cooper was a good friend. He was a great nature lover. He was like an American Indian, he knewRichard Widmark:
Hoods are good parts because they're always flashy and attract attention. If you've got any abilityRichard Widmark:
I felt pretty comfortable with Westerns, apart from the fact I couldn't ride.Richard Widmark:
I loved Jack Ford. I got him in his later days, and he was a total tyrant and a total autocrat andRichard Widmark:
I think a performer should do his work and then shut up.Richard Widmark:
I was never a part of the Actor's Studio, because two friends of mine started it in 1947 and by tha