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Human experience is infinite. Lives are infinite. Stories are infinite. Just because one story has
Human experience is infinite. Lives are infinite. Stories are infinite. Just because one story has
Human experience is infinite. Lives are infinite. Stories are infinite. Just because one story has
Human experience is infinite. Lives are infinite. Stories are infinite. Just because one story has
Human experience is infinite. Lives are infinite. Stories are infinite. Just because one story has
Human experience is infinite. Lives are infinite. Stories are infinite. Just because one story has
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Nathan Englander:
I hardly grew up mono-lingually! I was raised religious, so there's a tradition of semi-access to aNathan Englander:
I think my love for rhythm in language comes from repeating the same words, the same sounds, over aNathan Englander:
When you see 'editor' on a book, there are many permutations of what that title can mean.Nathan Englander:
Sometimes I feel like those born-again folk, always working on their faith, but I'm always workingNathan Englander:
I'd chosen to dedicate my life to writing, and I asked myself, 'if you write your whole life, and nNathan Englander:
I am a fifth-generation American, but from a young age, I went to yeshiva. I spent 12 hours a day wNathan Englander:
It's so easy to call something a Jewish story or a gay story or a woman's story. Aesthetically, ifNathan Englander:
When I wrote my novel, 'The Ministry of Special Cases,' I couldn't even brush my teeth. I had to wrNathan Englander:
I don't think it's the writer's job to give answers or to give opinions. In fact, when a writer hasNathan Englander:
Every book is vulnerable, and every book is nerve-wracking, but I've never been both so excited and