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I always interrupt work with other work, either in a small way or big way, so that's normal.
I always interrupt work with other work, either in a small way or big way, so that's normal.
I always interrupt work with other work, either in a small way or big way, so that's normal.
I always interrupt work with other work, either in a small way or big way, so that's normal.
I always interrupt work with other work, either in a small way or big way, so that's normal.
I always interrupt work with other work, either in a small way or big way, so that's normal.
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Lydia Davis:
All of the little entries in 'The Cows' were written in an irregular way. There might be one or twoLydia Davis:
Ordering is difficult. It's like arranging pieces of music in a concert: What do you put first? WhaLydia Davis:
Collections aren't really planned. I just keep writing short pieces until I have enough for a colleLydia Davis:
I wrote the first draft of 'Madame Bovary' without studying the previous translations, although I gLydia Davis:
I first read 'Madame Bovary' in my teens or early twenties.Lydia Davis:
The existence of another, competing translation is a good thing, in general, and only immediately dLydia Davis:
If a translation doesn't have obvious writing problems, it may seem quite all right at first glanceLydia Davis:
Of course we may have any number of translations of a given text - the more the better, really.Lydia Davis:
Even though I believe a superlative translation can achieve timelessness, that doesn't mean I thinkLydia Davis:
I do see an interest in writing for Twitter.