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I always wanted to get out of Tokyo and in 1977, New York seemed like the most interesting place to
I always wanted to get out of Tokyo and in 1977, New York seemed like the most interesting place to
I always wanted to get out of Tokyo and in 1977, New York seemed like the most interesting place to
I always wanted to get out of Tokyo and in 1977, New York seemed like the most interesting place to
I always wanted to get out of Tokyo and in 1977, New York seemed like the most interesting place to
I always wanted to get out of Tokyo and in 1977, New York seemed like the most interesting place to
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Ikue Mori:
I really didn't intend to be a musician when I left Japan.Ikue Mori:
The most important thing is that it's much more fun to play in a band than to be in an audience inIkue Mori:
Mars is really different, into art. Lydia Lunch is more energy. James Chance is more commercial inIkue Mori:
I was playing in other rock bands. Any of those bands didn't last long.Ikue Mori:
With a rock band, you play the same things over and over and over.Ikue Mori:
Improvising things is always changing. A lot of momentum.Ikue Mori:
Actually, there was another band where we were three girls, around '84 when I met John Zorn, calledIkue Mori:
Somebody gave me this drum machine and somebody else asked me to program something for a project. IIkue Mori:
Come to think of it, the way I play is like a drum machine- very mechanical.Ikue Mori:
I got tired of different drum sounds so you buy different effects for more manipulation.