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I can't imagine how many first performances I've done, perhaps 500. Some of them have been very goo
I can't imagine how many first performances I've done, perhaps 500. Some of them have been very goo
I can't imagine how many first performances I've done, perhaps 500. Some of them have been very goo
I can't imagine how many first performances I've done, perhaps 500. Some of them have been very goo
I can't imagine how many first performances I've done, perhaps 500. Some of them have been very goo
I can't imagine how many first performances I've done, perhaps 500. Some of them have been very goo
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Esa-Pekka Salonen:
Pulse as an active means of expression, Stravinsky and Beethoven are the two masters of that.Esa-Pekka Salonen:
Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.Esa-Pekka Salonen:
I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.Esa-Pekka Salonen:
My music wouldn't sound the way it does if I hadn't had the experience of conducting.Esa-Pekka Salonen:
I feel very free and very happy to be a composer.Esa-Pekka Salonen:
There is such a suspicion in today's world of people who do more than one thing, who aren't specialEsa-Pekka Salonen:
Anyone who composes and conducts at the same time is immediately suspect, because he must be fakingEsa-Pekka Salonen:
The act of conducting in itself, of waving my arms in the air and being in charge, I didn't miss. IEsa-Pekka Salonen:
With American orchestras, in particular, because they play in such huge halls, getting a true pianiEsa-Pekka Salonen:
The players never think they project enough. In a hall that seats 3,300 people, it's a very scary t