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I could get my camera and point it at two people and not point it at the homeless third person to t
I could get my camera and point it at two people and not point it at the homeless third person to t
I could get my camera and point it at two people and not point it at the homeless third person to t
I could get my camera and point it at two people and not point it at the homeless third person to t
I could get my camera and point it at two people and not point it at the homeless third person to t
I could get my camera and point it at two people and not point it at the homeless third person to t
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Joel Sternfeld:
With a photograph, you are left with the same modes of interpretation as you are with a book. You aJoel Sternfeld:
Even the photographs of Henri Cartier-Bresson, with all due respect to him, are notoriously burnedJoel Sternfeld:
A photographer must choose a palette as painters choose theirs.Joel Sternfeld:
No one can say how long the process of human extinction might take, but as it proceeds, the same glJoel Sternfeld:
I grew up in Belle Harbor, which is in New York City, but it has the most powerful sense of natureJoel Sternfeld:
I loved the High Line when it was just mine, when I was the only person up there, and I had a privaJoel Sternfeld:
Some people consider utopia to be derived from nature. For some people, utopia is the city.Joel Sternfeld:
When you have unity, I think it squares the reach or power of the work.Joel Sternfeld:
All of my work has been about ideas of utopia and dystopia. I think that's what gives America interJoel Sternfeld:
The digital print is becoming the look of our time, and it makes the C-print start to look like a t