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I did not have a very literary background. I came to poetry from the sciences and mathematics, and
I did not have a very literary background. I came to poetry from the sciences and mathematics, and
I did not have a very literary background. I came to poetry from the sciences and mathematics, and
I did not have a very literary background. I came to poetry from the sciences and mathematics, and
I did not have a very literary background. I came to poetry from the sciences and mathematics, and
I did not have a very literary background. I came to poetry from the sciences and mathematics, and
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Robert Morgan:
In the late 60s and early 70s, I did get interested in voices, and in narration and embodying the vRobert Morgan:
Pound's translation of Chinese poetry was maybe the most important thing I read. Eliot a little bitRobert Morgan:
It was less a literary thing than a linguistic, philosophical preoccupation... discovering how farRobert Morgan:
In the later books I am much more at home in the use of language to describe things. I had never thRobert Morgan:
You have to really dive deep back into yourself and get rid of so much modern analytical categorizaRobert Morgan:
The great watershed of modern poetry is French, more than English.Robert Morgan:
Philip Larkin has a tough honesty and sense of humor that I find irresistible, as a contemporary poRobert Morgan:
Among the American contemporaries I read with most enjoyment are several North Carolinians. I thinkRobert Morgan:
The Language Poets are writing only about language itself. The Ashbery poets are writing only aboutRobert Morgan:
Southern poets are still writing narrative poems, poems in forms, dramatic poems.