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I don't really write with living actors in mind. I guess I write for dead actors. I'll think of lik
I don't really write with living actors in mind. I guess I write for dead actors. I'll think of lik
I don't really write with living actors in mind. I guess I write for dead actors. I'll think of lik
I don't really write with living actors in mind. I guess I write for dead actors. I'll think of lik
I don't really write with living actors in mind. I guess I write for dead actors. I'll think of lik
I don't really write with living actors in mind. I guess I write for dead actors. I'll think of lik
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Brian Helgeland:
If you write an original, it's like you went in and dug a well, and you hit oil. But an adaptation,Brian Helgeland:
If I'm in the bookstore, and I see a 700-page novel, my first thought is, 'Ooh, how could you cut tBrian Helgeland:
There are plenty of writers who are going to become a director after their next job, but no one wilBrian Helgeland:
I was in a bookstore one afternoon, and I stumbled across this book called 'A Guide to Film SchoolsBrian Helgeland:
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You can write anything you want on paper, like blowing up the bridge on the River Kwai, but when yoBrian Helgeland:
Working on an adaptation is not as satisfying, because it's not your original work: you're interpreBrian Helgeland:
I'm not like a Sears Catalog of ideas. I don't have that many ideas. I've more or less written themBrian Helgeland:
It's as boring to see a completely evil villain as it is to see a completely good guy.Brian Helgeland:
Movie dialogue is movie dialogue. It can sound real, but no one speaks that way.