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I found that the flute was too limiting. Soon I bought a microphone, then loudspeakers, then an ech
I found that the flute was too limiting. Soon I bought a microphone, then loudspeakers, then an ech
I found that the flute was too limiting. Soon I bought a microphone, then loudspeakers, then an ech
I found that the flute was too limiting. Soon I bought a microphone, then loudspeakers, then an ech
I found that the flute was too limiting. Soon I bought a microphone, then loudspeakers, then an ech
I found that the flute was too limiting. Soon I bought a microphone, then loudspeakers, then an ech
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Florian Schneider:
There is no beginning and no end in music. Some people want it to end. But it goes on.Florian Schneider:
Kraftwerk isn't a band. It's a concept. We call it 'Die Menschmaschine,' which means 'the human macFlorian Schneider:
We are not the band. I am me. Ralf is Ralf. And Kraftwerk is a vehicle for our ideas.Florian Schneider:
We're just private people.Florian Schneider:
Our studio is in the middle of an oil refinery. There's smoke and fire around it and when you emergFlorian Schneider:
We don't make a distinction between an acoustic instrument as a source of sound and any sound in thFlorian Schneider:
As for ourselves, we love our machines.Florian Schneider:
Our method of speaking is interrupted, hard-edged... a lot of consonants and noises.Florian Schneider:
We are more like vehicles, a part of our mensch machine, our man-machine. Sometimes we play the musFlorian Schneider:
Kraftwerk has become historic and is now exposed in museums.