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I grew up on a suburban street with lace curtains and dull neighbours, so I made up stories to tell
I grew up on a suburban street with lace curtains and dull neighbours, so I made up stories to tell
I grew up on a suburban street with lace curtains and dull neighbours, so I made up stories to tell
I grew up on a suburban street with lace curtains and dull neighbours, so I made up stories to tell
I grew up on a suburban street with lace curtains and dull neighbours, so I made up stories to tell
I grew up on a suburban street with lace curtains and dull neighbours, so I made up stories to tell
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Nina Bawden:
One good reason for writing novels based on your life is that you have something to read in old ageNina Bawden:
I met my second husband on a bus. We looked at each other and that was it. We were both married toNina Bawden:
People who don't read seem to me mysterious. I don't know how they think or learn about other peoplNina Bawden:
Life isn't so complicated for children. They have more time to think about the really important thiNina Bawden:
I hope in my books I help children to see their strengths, and show them I have some idea of what tNina Bawden:
But I don't write about sex for today's teenagers. Or Doc Martens boots either. I'm more interestedNina Bawden:
Adults get more confused by social worker jargon. Unlike children, they are also less likely to seeNina Bawden:
The train we had so confidently boarded had been speeding at almost 100 miles an hour and it had deNina Bawden:
I dislike the word 'victim.' I dislike being told that I 'lost' my husband - as if I had idly abandNina Bawden:
I am not a victim. I am an angry survivor.