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I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the a
I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the a
I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the a
I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the a
I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the a
I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the a
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Trevor Nunn:
I so wanted to perform, and I grasped every opportunity.Trevor Nunn:
I tend to arrive in the rehearsal process with very strongly developed ideas about what I want to dTrevor Nunn:
I would be terribly disappointed if anything would get in the way of my being cast in something, orTrevor Nunn:
I've experienced a private doubt, something that I've kept deeply inside, and then eventually delivTrevor Nunn:
I've just taken the decision that I'm going to now go full time back into the theater.Trevor Nunn:
I've never had any feeling of disconnection between the classical theater, or the contemporary theaTrevor Nunn:
If you can't fully believe in your ideas, it very quickly communicates to a group of actors who neeTrevor Nunn:
If you feel very deeply about something, it's not possible to sacrifice your integrity about that.Trevor Nunn:
If you're a director, your entire livelihood and your entire creativity is based on your self-confiTrevor Nunn:
In a way, I have to have a dictatorship. I can't be told that I'm wrong. That conflicts with what I