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I had grown up as an Irish poet in a country where the distance between vision and imagination was
I had grown up as an Irish poet in a country where the distance between vision and imagination was
I had grown up as an Irish poet in a country where the distance between vision and imagination was
I had grown up as an Irish poet in a country where the distance between vision and imagination was
I had grown up as an Irish poet in a country where the distance between vision and imagination was
I had grown up as an Irish poet in a country where the distance between vision and imagination was
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Eavan Boland:
The twentieth century had produced a literature in Ireland that kept a tense distance from the sourEavan Boland:
I had started writing as a poet in a closed, post-Revival, claustrophobic world, where the shadowsEavan Boland:
It is certainly true that writers take a stance at some variance from organized religion. This hasEavan Boland:
There is a recurring temptation for any nation, and for any writer who operates within its field ofEavan Boland:
If a poet does not tell the truth about time, his or her work will not survive it. Past or present,Eavan Boland:
Our present will become the past of other men and women. We depend on them to remember it with theEben Alexander:
Our spirit is not dependent on the brain or body. It is eternal, and no one has one sentence worthEben Alexander:
As a neurosurgeon, I did not believe in the phenomenon of near-death experiences.Eben Alexander:
I grew up in a scientific world, the son of a neurosurgeon.Eben Alexander:
I understand what happens to the brain when people are near death, and I had always believed there