I hate it when I'm reading a comic, and the dialogue looks like stickers stuck on top to explain what's going on. For me the best is when your eye goes in a certain point and moves through the composition and then springs out on the dialogue, or gets confused in the image and then goes to the dialogue for an explanation.
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Denise Mina:
I love bleak things.Denise Mina:
I grew up in London under Thatcher and that really was disgusting. A feeding frenzy.Denise Mina:
I respond very well to rules. If there are certain parameters it's much easier to do something realDenise Mina:
I came from this very traditional background and I benefited hugely from feminism. I felt privilegeDenise Mina:
In the forensic science course I took at university they used photographs of dead bodies. For balliDenise Mina:
Crime is a very hard genre to feminise. If you have a female protagonist she is going to be lookingDenise Mina:
My upbringing was middle-class but my parents' families were both working-class so I had this odd cDenise Mina:
I'd read so much right-wing crime fiction where they find the evidence and shoot the bad guy - I thDenise Mina:
With my earlier books, I got quite bored being with one protagonist all the way through. With the ADenise Mina:
I'm not much of a plotter. I start off with an inciting incident, and in classic crime fiction what