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I have no ideas about what the paintings imply about the world. I don't think that's a painter's bu
I have no ideas about what the paintings imply about the world. I don't think that's a painter's bu
I have no ideas about what the paintings imply about the world. I don't think that's a painter's bu
I have no ideas about what the paintings imply about the world. I don't think that's a painter's bu
I have no ideas about what the paintings imply about the world. I don't think that's a painter's bu
I have no ideas about what the paintings imply about the world. I don't think that's a painter's bu
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Jasper Johns:
I never wish for critics.Jasper Johns:
I often find that having an idea in my head prevents me from doing something else. Working is thereJasper Johns:
I think a painting should include more experience than simply intended statement.Jasper Johns:
In the place where I was a child, there were no artists and there was no art, so I really didn't knJasper Johns:
Intention involves such a small fragment of our consciousness and of our mind and of our life.Jasper Johns:
Most of the power of painting comes through the manipulation of space... but I don't understand thaJasper Johns:
One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about spaceJasper Johns:
One works without thinking how to work.Jasper Johns:
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situaJasper Johns:
The thing is, if you believe in the unconscious - and I do - there's room for all kinds of possibil