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I have to believe there's redemption in the darkest of circumstances; otherwise it's too bleak for
I have to believe there's redemption in the darkest of circumstances; otherwise it's too bleak for
I have to believe there's redemption in the darkest of circumstances; otherwise it's too bleak for
I have to believe there's redemption in the darkest of circumstances; otherwise it's too bleak for
I have to believe there's redemption in the darkest of circumstances; otherwise it's too bleak for
I have to believe there's redemption in the darkest of circumstances; otherwise it's too bleak for
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Paddy Considine:
I could never sit down and say: I'm going to do an out-and-out comedy, just to prove to people I caPaddy Considine:
I can't afford to step away from acting, but the one thing I've learnt after all these years is thaPaddy Considine:
I think the older that I'm getting, the more I'm understand what a privileged job I have, and whatPaddy Considine:
When you're having conversations about actors, you realize these same conversations have happened aPaddy Considine:
The more I find out about the dynamic and how it works, the more I realize how lucky I am to have ePaddy Considine:
Being a director is almost like being another sort of character, but you're out of view.Paddy Considine:
With directors, some have a kind of in-built ability to just know how to work with actors and get tPaddy Considine:
I think it's a shame when the arts have to suffer because of corporate greed. People will always stPaddy Considine:
It's different being a director. I suppose, especially if it's a story you've written and you feelPaddy Considine:
I worked with some directors, and it was really collaborative, and I was sort of writing with them.