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I like photographing the people I love, the people I admire, the famous, and especially the infamou
I like photographing the people I love, the people I admire, the famous, and especially the infamou
I like photographing the people I love, the people I admire, the famous, and especially the infamou
I like photographing the people I love, the people I admire, the famous, and especially the infamou
I like photographing the people I love, the people I admire, the famous, and especially the infamou
I like photographing the people I love, the people I admire, the famous, and especially the infamou
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Helmut Newton:
I spend a lot of time preparing. I think a lot about what I want to do. I have prep books, little nHelmut Newton:
I used to hate doing color. I hated transparency film. The way I did color was by not wanting to knHelmut Newton:
I was lucky to have my wife as the art director, and it turned out to be quite something - a greatHelmut Newton:
In the photographs themselves there's a definite contrast between the figures and the location - IHelmut Newton:
It's that I don't like white paper backgrounds. A woman does not live in front of white paper. SheHelmut Newton:
People gave us everything for free. We were allowed only so much film per picture, but there was noHelmut Newton:
Technically, I have not changed very much. Ask my assistants. They'll tell you, I am the easiest phHelmut Newton:
The whole series is black-and-white, so when I went to shoot one of the women I only had black-and-Helmut Newton:
They often ask me to shoot for them. But I say no. I think an old guy like me ought not take pagesHelmut Newton:
Well, it takes a certain amount of money. And I've got to see pictures of the person ahead of time.