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I like to create the music I hear in my interior. As a conductor, you have the ability to squeeze t
I like to create the music I hear in my interior. As a conductor, you have the ability to squeeze t
I like to create the music I hear in my interior. As a conductor, you have the ability to squeeze t
I like to create the music I hear in my interior. As a conductor, you have the ability to squeeze t
I like to create the music I hear in my interior. As a conductor, you have the ability to squeeze t
I like to create the music I hear in my interior. As a conductor, you have the ability to squeeze t
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Eberhard Weber:
I played cello in my high school orchestra.Eberhard Weber:
I realized pretty soon that I have to do more than just play bass in the background way. So, I deveEberhard Weber:
I was afraid the other musicians might want to present themselves too much, though I see in the covEberhard Weber:
If there is a good musical reason, I think it might draw more attention and sell, though it is notEberhard Weber:
In 1972, I got my first electric bass and started playing the kind of instrument I play now. I founEberhard Weber:
It is probably very necessary to present your ego at some point.Eberhard Weber:
It's better to finish at the peak or soon after it, than to wait until the audience notices a decliEberhard Weber:
On the other hand, I'm very tolerant as well. I expect that everybody can play what they want. I'mEberhard Weber:
On the other hand, when I give it closer thought, I realize I'm not enough of a dictator to conductEberhard Weber:
Orchestra had a little brass ensemble on two tracks as well, but the rest was me. I knew I couldn't