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I like to hear melodies that go from one extreme to the next- saxophone to a bell to a whistle, for
I like to hear melodies that go from one extreme to the next- saxophone to a bell to a whistle, for
I like to hear melodies that go from one extreme to the next- saxophone to a bell to a whistle, for
I like to hear melodies that go from one extreme to the next- saxophone to a bell to a whistle, for
I like to hear melodies that go from one extreme to the next- saxophone to a bell to a whistle, for
I like to hear melodies that go from one extreme to the next- saxophone to a bell to a whistle, for
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Roscoe Mitchell:
If you listen to nature, all the sounds are done in a confident way. I'm trying to do that.Roscoe Mitchell:
I don't like to box myself in when I'm composing.Roscoe Mitchell:
I'm approaching a period in my life though where I'd like to be totally absorbed into music, doingRoscoe Mitchell:
I just consider myself a student, trying to learn more about it.Roscoe Mitchell:
I always try to think of a vocabulary to match different musical situations.Roscoe Mitchell:
What I try to impart to a musician is to really try to practice the instrument in a really sincereRoscoe Mitchell:
To be a good improviser, you have to study composition as a parallel. Because what improvisation isRoscoe Mitchell:
You can work on music a few lifetimes.Roscoe Mitchell:
I'm the kind of guy that if I go to a concert and hear something that knocks me out, I don't want tRoscoe Mitchell:
This is what really makes real jazz musicians: people coming out with their own voice.