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I like to play with someone who can cover a lot of ground and someone with whom you can discuss the
I like to play with someone who can cover a lot of ground and someone with whom you can discuss the
I like to play with someone who can cover a lot of ground and someone with whom you can discuss the
I like to play with someone who can cover a lot of ground and someone with whom you can discuss the
I like to play with someone who can cover a lot of ground and someone with whom you can discuss the
I like to play with someone who can cover a lot of ground and someone with whom you can discuss the
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Andy Summers:
It's hard to avoid the past but one goes forward.Andy Summers:
I've got four or five records in my head at a time that I try to work on and I would like to do a gAndy Summers:
If you're a guitarist, you should not be intimidated by using your instrument as a synthesizer, butAndy Summers:
For me, the guitar synthesizer is a great writing instrument.Andy Summers:
If I'm playing a violin thing, for instance, I tend to respond to that sound with the way I finger.Andy Summers:
The most obvious thing you can't do with a guitar synthesizer is to really sound like a guitar.Andy Summers:
My favorite sounds are the high, spacey ones that are very ambient.Andy Summers:
More recently, I used guitar synthesizer extensively on the two albums I did with Robert Fripp.Andy Summers:
It's been very hard for the guitar as a serious synthesizer to compete with keyboards.Andy Summers:
If the guitar synthesizer is really going to stand as a synthesizer on its own, it needs to develop