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I liked the America of Bing Crosby, Charlie Chaplin and Buster Keaton - it was all a dream, of cour
I liked the America of Bing Crosby, Charlie Chaplin and Buster Keaton - it was all a dream, of cour
I liked the America of Bing Crosby, Charlie Chaplin and Buster Keaton - it was all a dream, of cour
I liked the America of Bing Crosby, Charlie Chaplin and Buster Keaton - it was all a dream, of cour
I liked the America of Bing Crosby, Charlie Chaplin and Buster Keaton - it was all a dream, of cour
I liked the America of Bing Crosby, Charlie Chaplin and Buster Keaton - it was all a dream, of cour
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I. M. Pei:
Modern architecture needed to be part of an evolutionary, not a revolutionary, process.I. M. Pei:
The first decent building I did with my own practice was a chapel in Taiwan.I. M. Pei:
Contemporary architects tend to impose modernity on something. There is a certain concern for histoI. M. Pei:
A lasting architecture has to have roots.I. M. Pei:
I arrived in the U.S.A. in 1935, to San Francisco. I got the boat from China, and I didn't even speI. M. Pei:
I think the artistic side of architecture was natural to me. My mother was an artist and a poet.I. M. Pei:
We had a lot of difficulty in getting the French to accept the pyramid. They thought we were tryingI. M. Pei:
I've never left China. My family's been there for 600 years. But my architecture is not consciouslyI. M. Pei:
I came, I studied architecture in America, so my technical background's completely western. But myI. M. Pei:
I have a great love for nature. That must have started somewhere down back home, I think, because m