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I paint and sculpt to get a grip on reality... to protect myself.
I paint and sculpt to get a grip on reality... to protect myself.
I paint and sculpt to get a grip on reality... to protect myself.
I paint and sculpt to get a grip on reality... to protect myself.
I paint and sculpt to get a grip on reality... to protect myself.
I paint and sculpt to get a grip on reality... to protect myself.
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Alberto Giacometti:
I've been fifty thousand times to the Louvre. I have copied everything in drawing, trying to undersAlberto Giacometti:
I've tried doing so, for it was never my intention to paint only with gray. But in the course of myAlberto Giacometti:
If only someone else could paint what I see, it would be marvellous, because then I wouldn't have tAlberto Giacometti:
In every work of art the subject is primordial, whether the artist knows it or not. The measure ofAlberto Giacometti:
In the past I have never thought about loneliness when working, and I don't think about it now. YetAlberto Giacometti:
It is impossible to do a thing the way I see it because the closer I get the more differently I seeAlberto Giacometti:
It was always disappointing to see that what I could really master in terms of form boiled down toAlberto Giacometti:
Once the object has been constructed, I have a tendency to discover in it, transformed and displaceAlberto Giacometti:
Only reality interests me now and I know I could spend the rest of my life in copying a chair.Alberto Giacometti:
That's the terrible thing: the more one works on a picture, the more impossible it becomes to finis