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I recognize very much in Hopper that it does look like the United States; it looks like the 30's an
I recognize very much in Hopper that it does look like the United States; it looks like the 30's an
I recognize very much in Hopper that it does look like the United States; it looks like the 30's an
I recognize very much in Hopper that it does look like the United States; it looks like the 30's an
I recognize very much in Hopper that it does look like the United States; it looks like the 30's an
I recognize very much in Hopper that it does look like the United States; it looks like the 30's an
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Donald Judd:
I think most of the art now is involved with a denial of any kind of absolute morality, or generalDonald Judd:
I think most of the best new work is intended to have much more impact at once.Donald Judd:
I think some of the things I deal with Hopper probably has dealt with also, since it's somewhat theDonald Judd:
Pollock looks unusual and radical even now.Donald Judd:
Stuart Davis has more to do with what the United States is like than Hopper.Donald Judd:
The older painting - well, it does have an effect all at once, I suppose, but it's of a lesser inteDonald Judd:
There's probably more in the American tradition than people give the place credit for.Donald Judd:
They certainly aren't connected with the old geometric art. My work isn't geometric in that sense.Donald Judd:
Tolstoy may not be showing that much of Russia at that time even. It's hard to tell. You tend to asDonald Judd:
Usually when someone says a thing is too simple, they're saying that certain familiar things aren't