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I remembered seeing it and it was this metallic turbine and I thought it was beautiful. I had never
I remembered seeing it and it was this metallic turbine and I thought it was beautiful. I had never
I remembered seeing it and it was this metallic turbine and I thought it was beautiful. I had never
I remembered seeing it and it was this metallic turbine and I thought it was beautiful. I had never
I remembered seeing it and it was this metallic turbine and I thought it was beautiful. I had never
I remembered seeing it and it was this metallic turbine and I thought it was beautiful. I had never
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John Sexton:
I support any procedure that allows photographers to express themselves, whether that involves coloJohn Sexton:
I think the greatest photographers are the amateur photographers who do it because they love it. ArJohn Sexton:
I took a workshop from him a few months after that. That experience changed my whole approach to phJohn Sexton:
I've found even after nearly 30 years of doing this, there are all kinds of new surprises that rearJohn Sexton:
I've never seen a surface that I think is more seductive in image making.John Sexton:
In 1979, I received a phone call from Ansel Adams asking me if I would be willing to consider cominJohn Sexton:
In my mind I needed a symbol of today's technology, and I realized that what I wanted to photographJohn Sexton:
It had rained on some vivid green ferns in Maine and it was quite beautiful. I was moving the camerJohn Sexton:
It was amazing to watch him in the darkroom at an advanced age, still get excited when the resultsJohn Sexton:
It was an experience that was exceptional. People frequently ask what it was like and it truly was