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I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every
I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every
I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every
I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every
I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every
I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every
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Hans-Ulrich Obrist:
Many artists have not been able to realise their fondest projects. My role is to help them.Hans-Ulrich Obrist:
I'm trying to expand the notion of curating. Exhibitions need not only take place in galleries, neeHans-Ulrich Obrist:
One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian BoHans-Ulrich Obrist:
Everything I do is somehow connected to velocity.Hans-Ulrich Obrist:
Switzerland felt incredibly narrow, growing up. It was good, in a way. There were so many museums.Hans-Ulrich Obrist:
I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do wiHans-Ulrich Obrist:
I spent 250 to 300 days of every year on the road. But in the end, I felt something was missing. IHans-Ulrich Obrist:
I always have coffee and porridge for breakfast.Hans-Ulrich Obrist:
From 1991 to 2000, I was totally nomadic. I was travelling 300 days a year and building out my reseHans-Ulrich Obrist:
Mr. Koons's work has always inspired architects, which I think is very interesting. I think he is a