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I surprise myself that I'm not dead in the gutter somewhere, surprised that I haven't given up.
I surprise myself that I'm not dead in the gutter somewhere, surprised that I haven't given up.
I surprise myself that I'm not dead in the gutter somewhere, surprised that I haven't given up.
I surprise myself that I'm not dead in the gutter somewhere, surprised that I haven't given up.
I surprise myself that I'm not dead in the gutter somewhere, surprised that I haven't given up.
I surprise myself that I'm not dead in the gutter somewhere, surprised that I haven't given up.
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Miguel Syjuco:
I studied in New York. I fell in love with an Australian-born, half-Filipina girl. So we moved to AMiguel Syjuco:
The Miguel Syjuco character is not me. I wanted him to represent my own fears and frustrations andMiguel Syjuco:
I treat my writing like a day job, like my main job, even if for many years I was doing other jobsMiguel Syjuco:
I've learned that I have to be happy with creating discussion and debate and that I shouldn't be trMiguel Syjuco:
Touching on universality is an important part of effective storytelling, but the problem with clichMiguel Syjuco:
Postmodernism was a reaction to modernism. Where modernism was about objectivity, postmodernism wasMiguel Syjuco:
The immigrant experience in 'Ilustrado' was only a small part of what I intended to be a broader loMiguel Syjuco:
I have no illusions that my work can rouse the masses to create change, because literature simply dMiguel Syjuco:
I read a blog about this young filmmaker in the Philippines who made a short film, and one of the cMiguel Syjuco:
I want to write a book that makes people debate, and makes people think, interact with each other a