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I think if you study people in the street today, you do sometimes feel that they have taken their b
I think if you study people in the street today, you do sometimes feel that they have taken their b
I think if you study people in the street today, you do sometimes feel that they have taken their b
I think if you study people in the street today, you do sometimes feel that they have taken their b
I think if you study people in the street today, you do sometimes feel that they have taken their b
I think if you study people in the street today, you do sometimes feel that they have taken their b
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Ronald Frame:
'Ghost City' began as a idea. I felt that I hadn't read or heard a great deal about the sort of lifRonald Frame:
I can remember in my early days of writing going to sort of writers' functions and parties and thinRonald Frame:
Titles either come to you at the beginning or they don't come to you at all, I find, and I hate theRonald Frame:
I can remember somebody once saying to me that they thought my life must be less real than these otRonald Frame:
As a little boy, I apparently had a predilection for undoing latch gates, running up pathways and rRonald Frame:
At the age of nine, I could cross the length of Glasgow on a succession of buses, wearing regulatioRonald Frame:
For ten years, I went to piano lessons. I don't think I'm a very musical person, and the theory quiRonald Frame:
Sundays in my teens were spent on homework: from 8 am until at least 8 pm, with stoppages to be fedRonald Frame:
When I was younger, when I was at school, I did read a lot of fiction. I think as you get older perRonald Frame:
'Ghost City' was actually one of the few instances of non-fiction that I had written, and I felt th