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I think music needs to be presented in a way so that kids can grasp songs, dances, simple music tha
I think music needs to be presented in a way so that kids can grasp songs, dances, simple music tha
I think music needs to be presented in a way so that kids can grasp songs, dances, simple music tha
I think music needs to be presented in a way so that kids can grasp songs, dances, simple music tha
I think music needs to be presented in a way so that kids can grasp songs, dances, simple music tha
I think music needs to be presented in a way so that kids can grasp songs, dances, simple music tha
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Michael Tilson Thomas:
If we are able to get inside the music and inhabit it convincingly enough, it will cause everyone tMichael Tilson Thomas:
In earlier times, so many people sang much more. You know as a kid you'd go to some kind of religioMichael Tilson Thomas:
It's kind of scary sometimes, I've seen this a lot in Asia. Children are given music lessons, veryMichael Tilson Thomas:
The first year I started in San Francisco, there was an American work on every program and there'sMichael Tilson Thomas:
The whole path of American music has been so much about the recognition of stylistic diversity, andMichael Tilson Thomas:
They are representations of many shared hours of collaboration between us all. That's the real natuMichael Tilson Thomas:
You know, they were returning to the language of the people and trying to use musical language, parMichael Tilson Thomas:
Being a conductor is kind of a hybrid profession because most fundamentally, it is being someone whMichael Tilson Thomas:
But a large symphony orchestra basically is a repertory company and it has a very enormous repertoiMichael Tilson Thomas:
When I first was conducting as guest conductor in Europe 25 years ago, I would propose doing Americ