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I think my sweet spot is to make personal films on not-too-big budgets and also make other people's
I think my sweet spot is to make personal films on not-too-big budgets and also make other people's
I think my sweet spot is to make personal films on not-too-big budgets and also make other people's
I think my sweet spot is to make personal films on not-too-big budgets and also make other people's
I think my sweet spot is to make personal films on not-too-big budgets and also make other people's
I think my sweet spot is to make personal films on not-too-big budgets and also make other people's
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Baltasar Kormakur:
Throughout the history of Iceland, men have been lost at sea; every family in Iceland is connectedBaltasar Kormakur:
In the case of 'The Deep,' because of the people involved, the talent and the real lives of peopleBaltasar Kormakur:
If you make a film too American, it won't travel. It will have no life outside of its own country.Baltasar Kormakur:
I used to sail a lot in all kinds of weather, competing on small sailboats in the ocean. And I travBaltasar Kormakur:
When I write and develop things myself, I might work for a while on a script from a book, and thenBaltasar Kormakur:
I have no problems with remakes, and I think it's interesting. I mean, coming from the theater, we'Baltasar Kormakur:
For me, the source material can come from anywhere. It can be a poem, it can be a dream, it can beBaltasar Kormakur:
In Iceland, the weather is the biggest character you deal with every day. There's nothing more releBaltasar Kormakur:
The thing about Iceland is that we are trapped there anyway, all of us. We have been trapped thereBaltasar Kormakur:
I consider myself more a European director who is from Iceland than an Icelandic director.